“Show” Song Lyrics Meaning | Imani Lenz
“Show” captures the fast-paced reality of filming live events — the pressure, the chaos, the magic, and the quiet discipline behind the camera. This breakdown explores what it means to stay present, stay grounded, and trust the process when you’re creating in real time.
Listen to “Show” song on: Spotify | Apple Music | YouTube Music
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Camera Rolling
Hook:
At the show
I was filming all these rappers at the show
Taking pictures of the singers at the show
I was filming a lot of content at the show
You never know, you never know, you never know
Verse 1:
I had to take a little meeting at the show
I was looking for my client, they went ghost
I thought I lost my camera bag, so I froze
Show start in two minutes, talking dos
Headed back front stage at the show
A lot of people turning up at the show
Memories being made at the show
you never know, you never know, you never know
Now I’m getting the bag
Now I’m getting the money
Now I’m getting the paper
My crew, they love me
Mind is racing
I’m meditating
I’m camera walking
Practice patience
Long vacation
Update your mind
Stop chasing the bag
When it’s smelling funny
Verse 2:
Long days, long nights, on the road out of sight
Making content on the go for a while now
Got to make my wifey proud, by the way
Filming content for a while now
I’ma bring my camera dogs out
You can’t mess with my team
We all shooting raw now like wow
You didn’t see me coming for a long while now
I’m filming stock footage for the culture really going all out
Hook:
At the show
I was filming all these rappers at the show
Taking pictures of the singers at the show
I was filming a lot of content at the show
You never know, you never know, you never know
Verse 3:
Lights camera, action when I say go
My camera gear is paid for
Filming with a bankroll
Making movies lay low
Focused on my angles
Shoutout to my angels
Can’t you hear them bangles
Thunder loud like Shango
Our frames ain’t the same, though
Upload because I say so
Now I’m up on that stage, though
Rocking with my day ones, my day twos
My days threes and my day fours
No brands on me I still wear the same clothes
Really living life and I will never change yo
Free locs on head, baby yeah this that new fro
Saving all my money, investing smart, while you blow
Can’t you hear that sound, that’s my camera clicking loud
I stay 10 toes down for my family and my real bros
Hook:
At the show
I was filming all these rappers at the show
Taking pictures of the singers at the show
I was filming a lot of content at the show
You never know, you never know, you never know
Introduction: Living in Real Time
“Show” is a reflection of what it actually feels like to be inside the work — not the highlight reel, not the polished recap, but the real moments that happen while everything is unfolding live. The song lives in the in-between: moving through crowds, managing pressure, chasing moments, and trusting that what you’re capturing matters even if you don’t fully see it yet.
This isn’t just a song about concerts or events. It’s about presence. It’s about being alert, adaptable, and grounded while everything around you is moving fast.
The hook captures the chaos and magic of being on assignment—filming artists, documenting moments, and staying present in rooms where anything can happen.
Hook: You Never Know
At the show
I was filming all these rappers at the show
Taking pictures of the singers at the show
I was filming a lot of content at the show
You never know, you never know, you never know
The hook sets the tone immediately. It’s repetitive on purpose — mirroring the constant motion of event work. One moment you’re filming performers, the next you’re capturing crowd energy, then suddenly something unexpected happens.
“You never know” speaks to the unpredictability of freelance creative life. You don’t always know what kind of job it’s going to be, what moments will matter later, or which clips will end up carrying the most meaning. The line is both practical and philosophical — a reminder to stay ready.
Verse one dives into the real behind-the-scenes pressure of live events—lost gear scares, last-minute meetings, and trusting your instincts when the show is about to start.
Verse 1: Controlled Chaos
I had to take a little meeting at the show
I was looking for my client, they went ghost
I thought I lost my camera bag, so I froze
Show start in two minutes…
This verse captures the internal panic that creatives know well — the quiet stress that happens behind the scenes. Lost gear, missing clients, tight timelines. None of it shows up in the final edit, but all of it shapes the experience.
There’s a tension here between responsibility and performance. The show is about to start, people are turning up, memories are being made — and the creator has to hold everything together while staying invisible.
This verse reflects the long days, late nights, and steady commitment it takes to build a creative career—filming on the road and showing up for the people who matter most.
Verse 2: Growth, Discipline, and Mindset
Now I’m getting the bag
Now I’m getting the money
Now I’m getting the paper
My crew, they love me…
This section moves inward. It’s about growth, momentum, and mental discipline. There’s acknowledgment of success, but also restraint. Meditation, patience, and long-term thinking show up alongside money and movement.
One of the most important lines here is about not chasing every bag — recognizing that not every opportunity is aligned, even if it pays. That’s a major shift that happens as creatives mature: learning when to say yes, and when to walk away.
Verse three celebrates growth, community, and staying grounded—bringing your people with you as your platform expands without losing who you are.
Verse 3: Purpose Over Flash
Long days, long nights, on the road out of sight
Making content on the go for a while now
Gotta make my wifey proud…
This verse grounds the song in values. The work isn’t just about output — it’s about integrity, family, and being proud of what you create. There’s an emphasis on staying true to yourself, not changing for appearances, and building something sustainable rather than flashy.
The references to team, culture, and stock footage connect directly to a larger mission: documenting moments that outlast the event itself. This isn’t content for attention — it’s content for memory.
Ownership and Alignment
Lights, camera, action when I say go
My camera gear is paid for
Making movies, lay low…
The closing section feels confident and settled. There’s ownership — of tools, direction, and voice. The gear is paid for, the angles are intentional, and the work is being done on the creator’s terms.
Cultural references, spiritual nods, and community shoutouts weave together a sense of lineage and grounding. This is about being rooted while moving forward — honoring where you come from while building what’s next.
Final Reflection
“Show” is about more than filming events. It’s about trusting the process when you’re inside it. It’s about staying present even when things feel chaotic. It’s about knowing that the moments you’re capturing — and the discipline you’re building — will matter later, even if they don’t make sense right now.
You never know.
And that’s the point.
Camera Rolling!
About Imani Lenz
Imani Lenz is a multidisciplinary music artist, filmmaker, and cultural storyteller whose work centers on perspective, preservation, and lived experience. He is the founder of Black Stock Footage, a platform dedicated to documenting and monetizing authentic Black narratives, and the creator of Film Trips — group content experiences hosted by local creators that blend community, storytelling, and visual culture. Through music, film, and photography, Imani uses the lens as both a creative tool and a vehicle for cultural memory.
Social Media: Instagram | LinkedIn | YouTube
Founder: Black Stock Footage | Film Trips
